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        • OPEN MY HEART, EASE MY TASK, LOOSEN THE KNOT ON MY TONGUE
        • FLYING SUPERMARKET
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        • SORRY, NOT SORRY
        • AGIT
      • Murals and Installations
        • AN OCEAN WITHOUT THE ANCHOR
        • THE SAME SIDE OF THE MOON ALWAYS FACES EARTH
        • IN ALL DIRECTIONS
        • CROSSING SHORES
        • KAMAR KAMILLION
        • FENOMENA
        • SLOW AND STEADY
        • SING ALONG IF YOU KNOW THE WORDS
        • A STATE OF DECLINE
        • IN THE CLOUDS
        • MINOR CITIES
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        • ANATOMY OF A HEARTBREAK
        • THE TRIBE
    • SOUNDS
      • PRIMARY MOTIF
  • ABOUT
  • CONTACT
  • STORE
    • CASTING CALL ZINE (Free Download)
    • BACKGROUNDS (Free Download)
  • WORK
    • RECENT
      • Paintings
    • ARCHIVE (2009-2023)
      • PAINTINGS
        • Recent Paintings
      • DRAWINGS
        • Recent drawings
        • SELECTED DRAWINGS
        • State/s
      • EXHIBITIONS
        • OPEN MY HEART, EASE MY TASK, LOOSEN THE KNOT ON MY TONGUE
        • FLYING SUPERMARKET
        • KNIVES IN THE WATER
        • SORRY, NOT SORRY
        • AGIT
      • Murals and Installations
        • AN OCEAN WITHOUT THE ANCHOR
        • THE SAME SIDE OF THE MOON ALWAYS FACES EARTH
        • IN ALL DIRECTIONS
        • CROSSING SHORES
        • KAMAR KAMILLION
        • FENOMENA
        • SLOW AND STEADY
        • SING ALONG IF YOU KNOW THE WORDS
        • A STATE OF DECLINE
        • IN THE CLOUDS
        • MINOR CITIES
        • PRESENT CONDITION
        • KA-KHÉ
      • PERFORMANCES
        • ANATOMY OF A HEARTBREAK
        • THE TRIBE
    • SOUNDS
      • PRIMARY MOTIF
"CROSSING SHORES"
EAST COAST PARK, 2019
For Singapore Bicentennial Public Art Commission


Multiple faces of different ethnicities and origins are clustered together to form a single figure, emerging from the water and bound for Singaporean land. They are reminiscent of an unending quest for prosperity, viewing at the land as a source of business and prosperity, having journeyed from afar by boat across the seas. They are wrapped in a garment with patterns derived from the Malay Archipelago, the region which Singapore- or Tumasik- was part of before being a Crown Colony. Upon closer examination, their clothes are contemporary- speaking to the constant drift of migration we experience today.
Picture
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  • ABOUT
  • CONTACT
  • STORE
    • CASTING CALL ZINE (Free Download)
    • BACKGROUNDS (Free Download)
  • WORK
    • RECENT
      • Paintings
    • ARCHIVE (2009-2023)
      • PAINTINGS
        • Recent Paintings
      • DRAWINGS
        • Recent drawings
        • SELECTED DRAWINGS
        • State/s
      • EXHIBITIONS
        • OPEN MY HEART, EASE MY TASK, LOOSEN THE KNOT ON MY TONGUE
        • FLYING SUPERMARKET
        • KNIVES IN THE WATER
        • SORRY, NOT SORRY
        • AGIT
      • Murals and Installations
        • AN OCEAN WITHOUT THE ANCHOR
        • THE SAME SIDE OF THE MOON ALWAYS FACES EARTH
        • IN ALL DIRECTIONS
        • CROSSING SHORES
        • KAMAR KAMILLION
        • FENOMENA
        • SLOW AND STEADY
        • SING ALONG IF YOU KNOW THE WORDS
        • A STATE OF DECLINE
        • IN THE CLOUDS
        • MINOR CITIES
        • PRESENT CONDITION
        • KA-KHÉ
      • PERFORMANCES
        • ANATOMY OF A HEARTBREAK
        • THE TRIBE
    • SOUNDS
      • PRIMARY MOTIF